iOgrapher, makers of some truly excellent smartphone mounts, is hosting its first meetup/workshop in San Marino, California on Thursday, March 22, 2018. The event will be
SmartFilming.blog has put together a terrific list of apps for Android-owning filmmakers. However, it’s only available in German… for now. Keep your eyes on that site for the soon-to-be-released English version of the list.
Guess who’s been moonlighting. Me! Check out my first guest article for the excellent Frame.IO blog! The post describes the coolest new hardware accessories now available for live video streamers. If you’ve been broadcasting on Periscope, Facebook Live, YouTube Live, or any of the other live platforms, you’ll definitely dig this hardware roundup!
Just in case you missed my Mobile Filmmaking presentation at the Los Angeles Creative Pro User Group back in July, here’s a (low angle) video of the whole enchilada! It’s PACKED with apps and accessories you need to know! Check it out! And as always, if you dig it, share it!
Today is a BIG day! Scrivener, one of the greatest writing applications ever created, is finally available for the iPad & iPhone! I wrote my book, Filmmaking with the
LACPUG (Los Angeles Creative Pro User Group) is hosting a Mobile Movie Making Night at the Barnsdall Gallery Theater on Wednesday, July 27th at 6:45pm!
UPDATE – MAY 30, 2017: Having successfully wrapped up its Kickstarter campaign, the GLIF is now available for purchase directly from the Studio Neat website! The GLIF will run you $28, while the full set with hand grip and wrist strap will set you back $55. The GLIF, one of the first iPhone camera accessories is still one of the best. And it’s about to get even better! Just in case you’ve been avoiding every article ever written about mobile filmmaking, the GLIF is a pocket-sized tripod mount for your iPhone.
Armed with an iPhone 6S+, and an impressive knack for low budget filmmaking, Conrad Mess has created this super cool short. Check it out!
During post production of my new short, 2084, I had to manage a LOT of visual effects.  Every shot in the film consisted of multiple rendered
For my new short film, 2084, I needed to create the booming voice of an all-powerful, brain-washing computer overlord. So, naturally I turned to my iPad.
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